Gilbert Gordon & Sullivan

Gilbert Gordon & SullivanAfter four years of deliberation, calculation, diversion and negotiation, the ‘Gilbert Gordon & Sullivan’ album is finally here.

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In 2014, the legendary Sparks album ‘Kimono My House’ celebrated its 40th birthday. Some critics noted at the time that it was inspired by Gilbert and Sullivan, incorrectly as it turned out, but it’s a hard life being a journalist, sometimes you just gotta make stuff up. Martin Gordon, the creator of the stentorian barracuda Rickenbacker bass lines prominently featured on the by-now million-plus selling KMH album, has often included one or two G&S tunes on his solo releases, but now he goes the whole hog with an entire album devoted to the pair’s eccentric output.

The hugely successful comic operas created by irascible wordsmith WS Gilbert and composer Arthur Sullivan continue to reverberate around the English-speaking world. Now Gordon revisits their finest work and rearranges it for the contemporary ear. Using guitars, bass and drums (plus brass, keyboards and devices) the ‘Gilbert, Gordon & Sullivan’ album trawls through a raucous selection of their finest compositions, re-imagined as a cross between the Small Faces and Winifred Atwell. Rest assured that the matelot choruses survive. With selections ranging from the well-known (‘Modern Major-General’, ‘When I Was a Lad’, ‘Lord High Executioner’) to the obscure but exquisite (‘Make Way For the Wise Men’, ‘Go Away Madam’), Gordon delivers the finest G&S tunes in a highly unrefined manner.

GG&S pack-shotWhat is the ‘Gilbert Gordon & Sullivan’ package? Firstly, for those who care about such things, and we know there are some, it’s a glass-mastered, factory-made CD. It comes in a 6-panel, full colour Digi-sleeve and there’s no plastic involved in the packaging, which can only be a good thing given the imminent demise of mankind due to innate foolishness, self-interest, pizza-in-a-bun and weird alien-built structures on a planet only 1,472 light-years away from us.

Signed copies are available from Radiant Future, regular copies from our distributor Ace at Amazon.

Sleeve notes: ‘Gilbert Gordon & Sullivan’ contains the expected hand-rubbed sleeve notes, along with the exotic behind-the-scenes pictures especially reproduced for the discerning lover of light opera with a twist, the by-now traditional song-by-song commentary pickled in a homegrown brine made from the carcasses of collected moustache kingfishers, and more. If there is a point here, it is that the CD package (existing in 3 dimensions – remember them? what’s not to like?) completes the listening experience; what’s the point of buying a download when the context has gone AWOL? Give in to happiness with these exclusive sleeve notes written by Albanian goats personally suckled to maturity by Jamie Oliver.

Can’t wait for your thoughts to ripely mature? Check out the music here. Or play the previews up there on the right, and read on. If you click the pop-out, the player will pop out. Not in the sense of down the shops for a few tins of Tennents Triple-Strength Special Brew, but out of your browser window. Well, that will probably come as no surprise, but you cannot be too careful these days what with one thing and another, and foreigners.

Contents:  fifteen handpicked tunes including two songs which will not be part of the (inevitable) download version of the album; these two will only be available on the physical GG&S CD release. All packaging has been lovingly assembled (by the light of energy-saving beeswax candles) in former basement torture chambers of palaces until recently owned by now-deposed eastern European dictators, now transformed into touchy-feely arts and crafts centres run by newly-enlightened former chiefs of the secret state police.

Martin Gordon and Die GabysGrunt: you get lashings of Rickenbacker 4003 grunting. It returned from it’s holidays in the far-away land of nineteen-rumptyfour and is here unashamedly prominent. In fact it’s the first return to the Ric since that record about dressing up in Japanese women’s clothing. So all are welcome to a place where taste, trust, Rickenbackers, plastic wigs and bollocks peacefully coexist side by side. Can’t wait to get grunting? Check out the music here.

Bonus tracks: also included in the package are two previously-released G&S tunes. Their inclusion provides context; these two tunes are now lavishly re-mastered to provide a compellingly-snug fit into the contemporary listening experience which you, the discerning G&S aficionado, insist upon and rightly deserve. Additional camposity is provided by whoever, you need to get over it.

Benchmark: despite currently being dead, Chris Townson has once again delivered sterling artwork for the disc itself. The Captain of the Pinafore is depicted as dangerously close to having his balls nipped by a passing crustacean. We can only hope that this symbol is not at all relevant to any position adopted by us, whether compelling, undeniable, ruggedised or otherwise. Feel like taking a pew for a second and spreading your legs as wide apart as they will go, for reasons of human topology? Check out the music here while you do so.

Haberdasher’s choice:

Hold It Right There!

Hold It Right There!

Did you know? 6 out of 7 haberdashers prefer ´Gilbert Gordon & Sullivan’. Wanna hear it first? Listen here.

 

What the crickets say:

Martin Gordon – Gilbert, Gordon & Sullivan (Radiant Future)
Ex-lots of bands that we can’t be bothered to list, Martin Gordon is by far better known, and feted, for the chain of solo albums he has unleashed over the last few years, a sprawling non-trilogy of Mammal-based albums not least of all, and across everything serving evidence that there are few songwriters sharper or wryer than he.

So now he strips back to the barest roots, to illustrate perhaps the most significant influence on his own literary style – a veritable tribute album to Gilbert & Sullivan, packed with remarkably faithful, but gorgeously individual takes on some of that team’s best known numbers: a rock opera in literal terms, then, and you probably know every song in the set, regardless of whether you’ve heard of them.  “Lord High Executioner,” “Modern Major General,” “Taken from the County Jail”, “Cock’n’Bull,” “A Policeman’s Lot”… fourteen original operas were scoured for Gordon’s favorite numbers, then stripped down to the elements that transform them from pomp to circumstantial pop music, let alone information animal, vegetable and mineral.

And it is, quite frankly.” Goldmine 2015

What do you get?

Track list:

  1. Lord High Executioner 02.06
  2. When I Was a Lad 02.45
  3. Make Way for the Wise Men/In Every Mental Lore 04.40
  4. Modern Major General 02.56
  5. First You’re Born (CD only) 02.38
  6. When All Night Long 03.02
  7. Faint Heart Never Won Fair Lady 02.38
  8. Hark 02.00
  9. Taken From the County Jail 01.40
  10. When the Foeman Bares His Steel 03.06
  11. Rising Early in the Morning (CD only) 03.34
  12. Cock’n’Bull 01.45
  13. Go Away Madam 02.50

Bonus tracks (featuring Pelle Almgren & Chris Townson):

      1. The Captain of the Pinafore 02.57
      2. A Policeman’s Lot (is Not a Happy One) 02.40

Savoy OperasWS Gilbert wrote a lot of words. The songs of Arthur Sullivan are quite short. This means that the words travel by at a certain rate of knots. The speed is such that non-English mother-tongue speakers (OK, foreigners) have a bit of a tricky time with the lyrics. And so, following overwhelming demand from Scandinavia (Henning & Henning Henningsson), the words are here.

 


 

VIDEO EVIDENCE:

Modern Major General (download via iTunes and Amazon):

Here’s what the Dutch have to say about the Major (in Dutch, of course. Well, that’s logical enough)…

All tunes preview:

Cock’n’Bull:

The bass came out rather loud on the below video of a bass recording session, but we’re not complaining. It’s the tune ‘Cock’n’Bull’, a.k.a. ‘Hereupon We Both Agree’ but re-named with the full agreement of all concerned. The Rickenbacker 4003 MG (what else?) makes it’s initial appearance.

One gratified user (thanks, Richard!) was moved to create his own commute-enhancing experience:

Available via Radiant Future.


Gilbert Gordon & SullivanContributors:

      • Martin Gordon: bass and vocals, piano, organ, melodica, xylophone, kazoo
      • Ralf Leeman: guitars
      • Romain Vicente: drums, cutlery, percussion

with

      • Jade Pai: flute, recorder, Jew’s harp
      • a bunch of other people.

      • Modern Major General single release March 1 2016
      • Official CD release date: April 1 2016
      • Digital release date: May 1 2016
      • Label: Radiant Future Records
      • Distributor: Ace Records
      • PR: None Other

4 thoughts on “Gilbert Gordon & Sullivan”

  1. Its Me
    Not a bad album at all. Stand out track for me is Go Away Madam, closely followed by Make Way For The Wise Men/In Every Mental Lore , closely followed by……oh! f*ck it, there’s not a bad track on the album.Excellent work sir.
  2. Richard Whitehead
    Hey Martin, just wanted to say – you might want to sit down – thank you for delivering what I can only describe as one of the best listening experiences in years. You can probably tell from my Facebook postings that I’m quite sparing in my praise for most musical endeavour but even after just a handful of listens, it’s clear to me that this remarkable recording is a painstaking and lovingly painted canvas, packed with exquisite detail and imagination.The whole package is garish yet respectful, exuberant yet precise and restrained where needed, familiar yet rejuvenated, the complete artistic labour of love. In other words, irresistable before you’ve even heard a note. Musically, it’s a highly pleasing mix of crisply-recorded singalongs, all overlaid with that gorgeous, beautifully-recorded Rickenbacker bass sound.I’ve played it three times now – having waited until the Christmas holidays partly so I could spend time doing it justice – and each time I’m discovering something by turns hilarious, rousing, deft, awesome, heart-rending, or just unprecedented. An example – I’ve played The Captain Of The Pinafore three times now, originally thinking it was a great recording with a rather baroque ending. The mental process of decoding and appreciating what’s actually going on in the last minute or so I can only describe as the unfolding detonation of a ‘musical memory bomb’ – an extremely clever device and just one of the magical moments strewn bountifully across this wonderful thing.Just wanted to show my appreciation directly. Feel free to share all or part of this if you wish.There’s an anecdote about how an imaginary fraction of a baked bean led me here, but it can probably wait…Wishing you and yours all the very best for a successful 2016 – and thanks again, I’m just off to give it another listen…

    Richard Whitehead